Once the glyph is in place, you can type its keyboard equivalent so that it can be triggered with that keystroke when the font is complete. Glyphs can be dragged one at a time into the Fontself panel. Here, we’re dragging the question mark symbol by itself, and dropping it onto the appropriate area of the panel. To turn the shapes into a font, you can select individual letters and drag them into the Fontself panel. Use small values in the Roughen filter to preserve legibility. By using very small Size and Detail settings, it’s possible to keep the font legible while making a clear difference. You can use any of Illustrator’s distortion filters to corrode the text here, we’re using the Roughen filter to randomize the outlines. Convert the text to outline mode using Type > Create Outlines. Turning the characters to Outline allows us to modify the paths directly. To begin, we’ll type out a character set, including both upper and lower case, as well as numbers and any other punctuation marks and symbols we’ll need. In this article, we’ll look at the process of creating a new font based on an old classic: we’ll use Illustrator’s filters to corrode Helvetica and then build a font I call “Crudvetica” from the resulting glyphs. Fontself Maker works with Illustrator CC 2015. Because it’s a plug-in rather than a separate application, you can use the Illustrator tools you’re familiar with to create personalized fonts with ease. Fontself Maker, the result of a 2015 Kickstarter campaign, is an Illustrator plug-in that allows you to create custom fonts directly from within the program.
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